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St. Maurice on the Reliquary by Abbot Nantelme, 1225AD.
Monastery of Saint Maurice, Agaunum, Valais, Switzerland.

Reliquienschrein des Abtes Nanthelm (Nantelmus), Längsseite I, Dach, Detail: Heiliger Mauritius thronend Datierung: 1225 Sachbegriff: Bildfeld Form: Kastenreliquiar Gattung: Goldschmiedekunst Material/Technik: Silber, Kupfer, graviert Sammlung: Saint-Maurice (Wallis), Abbaye de Saint-Maurice d'Agaune, Kirchenschatz Themen: Ikonographie: 11 H (Maurice) * Mauritius von Agaunum (schwarzer) Kriegerheiliger, Befehlshaber der Thebäischen Legion und Märtyrer Source: Bildarchiv Foto Marburg

Reliquary of Abbot Nanthelm (Nantelmus), long side 1, roof, detail: Saint Mauritius enthroned Dating: 1225 Technical term: image field Shape: box reliquary Genre: Goldsmith's Art Material / technique: silver, copper, engraved Collection: Saint-Maurice (Wallis), Abbaye de Saint-Maurice d'Agaune, church treasure Topics: Iconography: 11 H (Maurice) * Mauritius of Agaunum (negro) warrior saint, commander of the Theban Legion and martyr

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In 1225, the abbot at Saint-Maurice d’Agaune commissioned a shrine to hold the remains of the saint. The shrine is formed as an elongated house with a simple row. The decoration consists of engraved scenes framed by bands of foliage. On one side of the roof, the saint is enthroned between Sigismund and Gundobald, who is depicted next to Giscald. On the other side is a scene of the crucifixion. At the gable ends, the three magi visits the enthroned Virgin, while Christ is blessing the world on the opposite side.
Source: Medieval Histories

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Referenced on p.209, Arms and Armour of the Crusading Era, 1050-1350, Western Europe and the Crusader States by David Nicolle
561A-D ‘Story of St Maurice’, Reliquary Chest of the Abbe Nantelme, Savoy, 1225
(Treasury, Abbey of St Maurice, Valais, Switzerland)
This particular piece of decorated metalwork provides some of the clearest illustrations of an early German form of great helm, which is flat-topped but relatively close-fitting without extending far down the neck (B—D). All the figures wear mail coifs and hauberks with mittens, one clearly slit horizontally across the palm (A). Mail chausses are worn, one pair of which are of the early type laced up the back of the leg (C). Two figures have padded cuisses with some form of poleyn to protect the knee (C and D [B]). The figure of St Maurice himself (A) wears a surcoat with shoulders that are so raised that some form of rigid or semi-rigid cuirie may be worn beneath.